Phd Thesis Marketing One of my favorite theological concepts to study is eschatology. Eschatology, or the study of “last things,” centers around what we as Christians believe will happen at the end of time, what happens to our souls and bodies after death, and what the afterlife might look like. While the questions that eschatology asks may seem nothing more than esoteric speculations for the future, I am fully convinced that our beliefs about eschatology deeply impact how we live our lives. As Karl Barth writes in Dogmatics in Outline eschatology is the most practical of theologies:
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Research Papers On Response To Intervention The Christian hope does not lead us away from this life: it is rather the uncovering of the truth in which God sees our life. It is the conquest of death, but not a flight into the Beyond. The reality of this life is involved. Eschatology, rightly understood, is the most practical thing that can be thought. In the eschaton the light falls from above into our life. We await this light.
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One thing that I have done, to keep my sanity throughout seminary is to read novels. Thanks to a very good recommendation from Josh I just finished The Name of the Wind by Patrick Rothfuss, which can be described as a poetic Harry Potter meets The Lord of the Rings. In The Name of the Wind there is a very interesting foil to the gospel. I have always been a fan of the argument that the story of Jesus is true because it does not have the same elements as a fictional story. No Jewish man in his right mind would have women be witnesses to Christ’s resurrection as women were not seen to give credible testimonies. » Read the rest of this entry «
Research Paper About English Language Throughout my time in Seminary I cultivated a love of creating assemblage sculptures. Assemblage is a form of sculpture where instead of cutting away at a chunk of stone, the sculpture is built up, typically using previously formed objects. My work tends to focus on ordinary objects (terracotta pots, empty wine bottles, cement, copper wire, wood, glass, brick, and various other odds and ends). My work also is largely religious in theme and is very, very amateur. I have no formal training in assemblage, sculpture or art. But it is a thing that I love and I find that creation in a visual sense lends to a concreteness of previously esoteric theological concepts. I think of faith, community, sorrow, salvation, the imago dei, and compromise all in terms of sculpture.
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